Each Friday we round up the freshest sounds from Bristol’s buzzing scene. From boundary-pushing underground acts to chart-ready anthems, discover the tracks and albums making waves this week. Dive in below and explore what’s new.
New Releases
Bristol Music Weekly
30 May – 05 June 2026
This week is properly stacked: Break brings heavyweight Bristol D&B, Claude Cooper links with Joe Talbot
for a sharp left-field cut, Borai turns up the club pressure, Mumble Tide help celebrate 10 years of
Breakfast Records, and L Syd drops the kind of wild Bandcamp find that keeps the underground interesting.
Break / Claude Cooper x Joe Talbot / Borai / Mumble Tide / L Syd / Breakfast Records 10 / Aldous Harding / FOE Fest / WetWare / Emily Magpie /
Track of the Week
Track of the Week
Break “So Right”
Break takes Track of the Week with So Right, released via Symmetry Recordings.
This is precise, heavyweight drum & bass from one of Bristol’s most respected producers:
clean low-end, rolling pressure and enough detail to work in headphones or through a proper system.
Direct, polished and built for movement — Bristol bass music doing what it does best.
Claude Cooper links with Joe Talbot for a sharp, off-kilter cut that sits somewhere between
left-field rhythm, spoken-word energy and post-punk attitude.
A playful garage-flavoured oddity from Joss Jakeway-Crooks.
Loose, cheeky and full of DIY character, this one sits neatly in Bristol’s weirder electronic corner.
Borai delivers a straight-up club mover on Higher Level Records.
Push Your Body does exactly what it says — high-energy, physical and built for the dancefloor.
Mumble Tide contribute Gallows Acre to Breakfast Records’ 10th birthday compilation,
with label artists old and new covering favourites from the back catalogue.
Matt Barnes’ Bristol24/7 review captures Aldous Harding at Bristol Beacon as surreal,
intense and completely singular. The night opened with fellow New Zealand artist Vera Ellen,
before Harding took the stage in a quiet, reverent setup with her musicians arranged around her.
The review focuses on Harding’s physical, instinctive performance style: shifting voices,
sudden stillness, strange humour, full-band beauty and songs that seemed to pass through her
rather than simply being performed.
Featured moments
Barnes highlights moments including Train on the Island, One Stop,
Fever, Coats, Imagining My Man and Designer.
A strong midweek pick for experimental electronic heads: Surgeons Girl, Daisy Dickinson and more
bring WetWare to Strange Brew for an audiovisual performance night.
Emily Magpie brings folklore, myth and experimental pop to Bristol Beacon’s Weston Stage
for a special hometown howl show. Intimate, immersive and very Bristol.