Each Friday we round up the freshest sounds from Bristol’s buzzing scene. From boundary-pushing underground acts to chart-ready anthems, discover the tracks and albums making waves this week. Dive in below and explore what’s new.
New Releases
Bristol Music Weekly
23 May – 29 May 2026
This week is heavy on contrasts: Eden Machine bring Bristol metal weight, Night Swimming go widescreen and dreamlike,
Sofa Sound keep the D&B pressure moving, Diz Undone delivers a joyful political curveball, and Grandmas House set up
their debut album era with bite.
Last weekend also felt like Bristol properly stepping into summer: Love Saves the Day, Dot to Dot Festival,
bank holiday sunshine, packed venues, city-centre movement and Ashton Court in full festival mode.
Eden Machine / Night Swimming / Sofa Sound / Diz Undone / Grandmas House / Tara Clerkin Trio / Festival Sun / Dot to Dot / Love Saves the Day / Bristol Summer Mode /
Spotify Release of the Week
Release of the Week
Eden Machine “The Venom of Stasis”
A huge, heavy cut from Eden Machine’s album The Mortal Dusk, released 24 May 2026.
Dense, dark and full of weight, this absolutely fits the “turn it up” lane for this week.
The full album is a banger too — definitely worth listening through properly.
A beautiful, atmospheric track from Melting, Sometimes Bleeding, released 22 May.
Recorded live to tape at Middlefarm Studios in Devon, it carries a moody, widescreen feel and gorgeous vocals.
New Sofa Sound Bristol pressure from The Sauce and Porcelyn. Sharp, direct and built for movement,
this sits firmly in that clean, club-ready D&B lane the label has made its own.
Bristol producers Lrusse and Kraymon join forces for an energetic two-tracker just in time for summer.
Breakbeat, bass, dubstep, electro and house energy all feed into something built for oddball dancefloors.
Another glimpse of Somewhere Good, out 5 June 2026. Gentle, strange and quietly magnetic,
sitting in Tara Clerkin Trio’s experimental world of downtempo, electronica, jazz and minimalism.
Hard-hitting, rhythmically weird and full of future promise. 1000 Legs bring experimental rhythms,
jazz influence and punky tension into the mix — definitely one to keep an eye on.
Love Saves the Day took over Ashton Court in the bank holiday sunshine, with Katie Coxall’s review for
The Everyday capturing the colour of the Saturday: big crowds, a huge site, strong organisation,
stacked stages, food vendors and a crowd that kept the good vibes moving all day.
The review also shouts out local and emerging names including Douvelle19 and Kylie Wears Berghuas,
plus the sillier festival details — Dubtendo, The Twisted Motel, karaoke in a fake lift and a ball pit.
Dot to Dot once again turned Bristol itself into the venue. Vihan’s Bristol24/7 review frames the city
as the real headliner: wristbands, venue-hopping, queues on Park Row, packed independent rooms
and that classic city-centre movement.
The review highlights Bristol acts such as The Scuttlers, international names including Jawdropped
and Mandy, Indiana, plus bigger moments around Goodbye, Lambrini Girls, NewDad, Fcukers, Ratboys and TOOTH.
A strong Saturday pick at Wiper and True’s Brewery Taproom, with Dreamwave,
Bite The Buffalo and The Dead Royals on the bill. Free-entry guitar energy with your weekend pint.
The Maisonettes hit Exchange alongside LULU and Resurrection Men.
A solid midweek pick for independent guitar music in one of Bristol’s key grassroots rooms.
Indie-folk artist Django Durrant brings his Stories As You Pass By album launch tour
to To The Moon. The album releases 29 May, so this Bristol stop lands right as the project starts moving live.